May 28, June 3, 4, 10, 11, 1961

Li'l Abner, based on Al Capp's comic strip, marked the Players' first venture into musical theater, with live accompaniment. A piano had to be carried from the Cabin down the steep winding theatre trail and back up each weekend. The audience enjoyed the exaggerated cartoon characters: the contrast between Mayor Dawgmeat (Dan Barash) and his slow drawl and the fast-talking and fine-singing of Marryin' Sam (Howard Hall), and that intricate, unusual little hippity-hop of Evil-Eye Fleagle (Robert Gornstein).

The set required a statue of Jubilation T. Cornpone on horse-back. Morris Moen recalled: "Suitable secondhand bronze horsemen are hard to find, and heavy to carry "down the trail." Anne Hill designed and built their horseman with papier-maché.

The cast included a piglet which, like most Players, turned out to be an incurable ham. At the Players Banquet, Howard Hall called her a remarkable little animal; not only did she mind her P's and Q's but also the reverse (cues and pees) — the piglet answered nature's call during every performance.Mammy and Pappy Yokum (Ednea and Lloyd Mason) and Daisy Mae (Ann Fulcher)

This year the show's run was increased from three performances to five. Li'l Abner was the best-attended production to that date; about 4,000 for the five performances.

This show was also the first one which featured a piano which had to be trundled down (and up) the steep trail.